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Artist Statement

I approach my work with a deep reflection on memory, a fundamental aspect of the human condition. My artistic practice is a journey into how memories evolve and intertwine, transforming them into visual representations that evoke both personal and collective experiences. I explore the process of remembering and the complexities it entails—how memories are never fixed, but are constantly shaped by emotions, time, and external influences.

In my work, I often start from personal photographs—images that have captured moments of significance in my life. These photographs, collected from different periods, serve as the foundation for my projects. By reimagining these moments through painting and photography, I transform them into stories, expanding their meaning beyond their original context. This process allows me to create installations that resonate universally, offering the audience a chance to connect with their own experiences and memories.

My use of materials is deeply intentional. I frequently incorporate acoustic insulation fabric, with its pixel-like texture, to represent the digital world in a tactile, three-dimensional way. This material, which connects the digital and analog realms, symbolizes the fragmentation and fluidity of memory. By manipulating these materials, I create layers that give physical form to the intangible—memory itself.

The work I create is eclectic, much like memory itself: fragmented, diverse, and filled with layers of associations. While this diversity might be perceived as a challenge in the art market, it reflects the nature of memory and the myriad experiences that shape us. In my practice, I seek to explore the incomprehensibility of memory and its associations, embracing the complexity and depth that comes with it.

Through my art, I invite the viewer into a reflective space, where they can encounter not only my personal memories but also the shared memories that connect us all. Memory, in my work, becomes both a personal and collective experience, evoking a deep emotional response and offering insight into the way we shape our understanding of the world through time.

Bio

Carlos Sebastiá (Castellón, 1975) is an artist and co-director of Co-net Art. He holds a degree in Fine Arts from the Universitat Politècnica de València and a Master’s degree from the University of the Arts London. He combines his work as a cultural manager with an active artistic career spanning painting, installation, and photography.
He has taken part in numerous solo and group exhibitions in venues such as the Centre del Carme, the Museum of the City of Valencia, Sala San Miguel (Fundació Caixa Castelló), Sunning Art Museum (Shanghai), Qingdao Art Museum, Instituto Cervantes (Beijing), Museum Angerlehner (Wels), and Tate Modern (London). He has collaborated with various galleries in Spain, the UK, and China, and has completed artist residencies in Germany, Austria, China, Iceland, the UK, and Turkey. He has received awards or been a finalist in competitions such as the Senyera Prize, Casa de Velázquez, Comenge Prize, La Brocense, and La Rural, and his work is included in collections such as DKV, the Diputación de Cáceres, Fundación JJCC, Raiffeisen Wels Süd (Austria), Venancio Blanco Foundation, and the Permanent Collection of the UPV.
His artistic practice focuses on the exploration of memory through the fragmentation of images and the reconstruction of domestic landscapes. These seemingly ordinary environments are imbued with both personal and collective meaning. Using old photographs—some of them anonymous—he creates visual narratives that question how we remember and represent our most intimate spaces. Through image manipulation and distortion, along with the incorporation of everyday objects, he makes visible the ephemeral and subjective nature of memory.

Curriculum Vitae

Education

  • BA in Anthropology — UNED, Valencia (in progress), 2020 – present

  • Master in Fine Arts — University of the Arts London (UAL), with Distinction, London, 2018

  • BA in Fine Arts — Polytechnic University of Valencia (UPV), with Distinction, 2013

  • Promoe Grant, CAFA (Central Academy of Fine Arts), with Distinction, Beijing

  • BA in Business Administration — Universitat Jaume I, Castellón, 1999

  • Erasmus Grant — Université Paris XII Val-de-Marne, Paris, 1998

 

Collections

  • Diputación de Cáceres Collection, Cáceres

  • JJCC Foundation, Valencia

  • Raiffeisen Wels Süd Permanent Collection, Wels (Austria)

  • DKV Collection

  • Venancio Blanco Collection, Salamanca

  • UPV Permanent Collection, Valencia

 

Awards & Collaborations

2024

  • 3rd Prize, XXVII Visual Arts Prize, Sala El Brocense, Cáceres

  • Finalist, Senyera Painting Prize, Valencia

  • Finalist, National Painting Prize Juan Francés, Xàtiva

2023

  • Cultura Online Grant — Consorci de Museus, Valencia

  • Finalist, Senyera Painting Prize, Valencia

  • Finalist, Casa de Velázquez Residency Grant, Valencia City Council

  • Habitat International Mobility Grant, Castellón

2022

  • Finalist, Casa de Velázquez Residency Grant, Valencia City Council

  • Finalist, Senyera Painting Prize, Valencia

  • Selected, Cañada Blanch Prize, Valencia

  • Finalist, III Biennial María Isabel Comenge, Atarazanas, Valencia

  • Finalist, Juan Francés Painting Prize, Xàtiva

2021

  • Finalist, Casa de Velázquez Residency Grant, Valencia City Council

  • Finalist, National Painting Prize “La Rural”, Jaén

2020

  • Finalist, Q-Art Painting Prize, Quart de Poblet

  • Finalist, II Biennial María Isabel Comenge, Valencia

  • Pre-selected, López-Villaseñor Prize, Ciudad Real 

2015

  • Nominee, Best Photography, Dali International Photo Festival, China

2014

  • Collaboration with the Chair of Art and Illness (UPV), in partnership with CAFA, Beijing

 

Residencies

  • 2023: GlogauAIR, Berlin

  • 2021: Art Diagonale (Wels), Istanbul Art Residency (Istanbul)

  • 2020: QUARANTINE International Art Residency (online, China)

  • 2018: TIAC and ICCI (Jiao Tong University), Shanghai

    • Fresh Winds International Biennial, Gardur (Iceland)

    • First Floor Space, London

    • Art Diagonale, Wels

  • 2017: CWND (Canary Wharf Group), London

 

Fairs & Festivals

  • 2025: Art Madrid, Shiras Gallery

  • 2023: ESTAMPA, Shiras Gallery

  • 2022: MARTE (Special Selection), Castellón

    • ESTAMPA, Shiras Gallery

  • 2021: ESTAMPA, Shiras Gallery

  • 2020: Abierto Valencia, Shiras Gallery

    • HEIM Videoart Festival & A! Performance Festival, Akureyri (Iceland) (postponed)

  • 2019: 5' of Harmony – New Media Festival, Miami

  • 2018: Digital Maker Collective "Vapor Tate Project" – Tate Modern, London

    • “A Walk Through Beijing”, Imaginaria Festival, Castellón

  • 2015: Summer Art Night, TopRed Gallery, Beijing

    • Dali Photo Festival – “Abandon & Building the Endearment”, China

  • 2014: Slick Attitude, Paris, with Jiali Gallery, Beijing

  • 2012: Hybrida Art Festival (sound art), Las Naves, Valencia

    • Sons Creativos de Lugo — Música e Natureza, Lugo

    • Incubarte, International Contemporary Art Festival, Valencia

 

Solo Exhibitions (selection)

  • 2025: "Revisiones", Shiras Gallery, Valencia (June)

  • 2022: "El tiempo suspendido" ("Suspended Time"), Shiras Gallery, Valencia

  • 2020: "La evanescencia de lo cotidiano" ("The Evanescence of the Everyday"), Shiras Gallery, Valencia

  • 2017: "Beijing Walks", public art installation, Rise Gallery, London

  • 2015: "Rostros" ("Faces"), Confucius Institute at Octubre CCC, Valencia

  • 2014: "Abandon", Jiali Gallery, Beijing

  • 2013: "Zai Hui", Espacio 40 Gallery, Valencia

  • 2012: "Vínculo de lo cotidiano" ("Link to the Everyday"), Onda Town Hall

  • 2011: "Crisis Exit" and "Introductions", Nadir Gallery, Valencia

  • 2010: "Reflections on Solitude", Braulio Gallery, Castellón

 

Group Exhibitions (selection)

  • 2025: "Contención", Sala San Miguel – Caixa Castelló Foundation

  • 2024: XXVII Visual Arts Prize, Sala El Brocense, Cáceres

    • Senyera Prize Exhibition, Museum of the City, Valencia

    • Group show, Shiras Gallery

  • 2023: "Cultura Online", Centre del Carme, Valencia

    • Group show, Espacio Corner, Madrid

  • 2022: "Un Pocket de Marte", Galería Nueva, Madrid

    • Group show, Shiras Gallery, Valencia

  • 2021: "Those Remote Days", Sunning Art Museum, Shanghai

    • "Parallel Universes", The Artling, Shanghai

  • 2020: Group show, Shiras Gallery, Valencia

  • 2018: "Art Diagonale", Museum Angerlehner, Wels

    • "Capas", IVAM, Valencia and Morgue Gallery, London (with Mar Juan)

    • "Xhibit 2018", Bermondsey Project Space, London

    • "Collecting Time", Shanghai Art Gallery

  • 2017: "With Each Passing Moment", Rise Gallery, London

    • "One That Holds Everything", Crypt Gallery, London

    • "Life in a Shoe Box", Back Room Gallery, London

  • 2016: Solo exhibition, Qingdao Art Museum, China

    • "Vis-à-Vis", F.C.N. Art, Shanghai

    • "Equation of Time", Art-More Space, Beijing

  • 2015: "Encounter", CCD Show Room, Caochangdi Art District, Beijing

    • "Bierlosky", Railowsky Photo Gallery, Valencia

    • "Building Endearment", See+ Gallery, Beijing

    • "Perspectives – Liver Diseases and Me", Vienna

  • 2014: "Dematerialization of the Self", Cervantes Institute, Beijing

    • "Artworks", CAFA, Beijing

  • 2013: "The City", Espacio Gallery, Valencia

  • 2010: Charity shows, Dasyc Foundation (Valencia), Five Foundation (Madrid)

  • 2009: "Reflections on Solitude", Aeon Logic Art Gallery, New York

ICCI and TIAC Art Residency with Open Studio and Show - Shanghai (China)

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ICCI TIAC

Art Diagonale and Exhibition Museum Angerlehner - Wels (Austria)

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Art Diagonale

Fresh Winds Art Biennale - Gardur (Iceland)

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Fresh Winds

IMAGINARIA PHOTO FESTIVAL, “BEIJING WALKS”, Castellón (Spain) - 30m public photo installation at Castellon Central Market (Spain)

Triptych from the Festival 2018 

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Antonio Gascó. Els trasters al sol de Beijing. Diario Mediterráneo 20 Mayo 2018.

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Imaginaria

Xhibit at Art Bermondsey Project Space - London (UK)

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Xhibit-Bermondsey Project Space Gallery.
Xhibit

Carlos Sebastia© *20*, All rights reserved.

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