My artistic practice explores memory as both a fragile archive and a powerful generator of meaning. I work from the conviction that memory is not linear, but layered, contradictory, and often constructed through absence, forgetting, and reinvention. Much of my work emerges from found photographs, anonymous archives, and personal histories, particularly those marked by rupture, such as illness, geographical displacement, or emotional distance.

​

Formally, I move between painting, photography, and installation, often combining them in heterogeneous formats. I use materials charged with symbolic and sensory weight: acoustic insulation fabric that evokes the pixel in three dimensions, textiles, and printed matter that bring the tactile into dialogue with the visual. My process embraces fragmentation and juxtaposition, allowing discordant elements - geometrical forms, vernacular objects, industrial textures - to coexist in spaces of tension and resonance.

​

Rather than seeking stylistic coherence, I aim to reflect the disjointed and multifaceted nature of memory itself. Each piece functions like a trace, a recovered image, or a reconstructed narrative - an attempt to preserve what resists being told. I see memory as a performative space, where images are not just remembered but re-enacted, reframed, and reinterpreted. The viewer becomes an active decoder, navigating the tensions between what is seen, what is hidden, and what can no longer be recovered.